Monday, June 15, 2015

Happy Birthday Pac

June 16th, 1971, mama gave birth to a hell raising heavenly son 


These are the opening words from 2Pac on Cradle To The Grave from the Thug Life album released in 1994.  It's probably the main reason that I remember Pac's birthday.  If you're reading this blog, I don't think It's really necessary to explain who Pac is and where he stands in hip-hop.  For me, Pac was probably my first favorite rapper.  Pac had a certain appeal that's hard for me to put into words. He's not the best lyricist, but I think Pac had an uncanny ability to convey his emotions through music and make the listener feel him emotionally.  It's this ability that I think will always set Pac apart from any other rapper because I can't think of any other rapper that comes close to Pac in pulling that off.  Sure there are others that have made valiant attempts.  I've had a few people mention Jeezy to me, but I just don't think that Jeezy or any other rapper has come close to matching Pac's ability to make his listeners feel him emotionally.   

With that said, I was trying to think of something to write about in honor of Pac.  I had considered listing 44 of his greatest songs since this would've been his 44th birthday, but that's a lot of songs and I really didn't feel like listing 44 songs.  Also, I mean, 44 songs is a lot.  It increases the chances that songs make the list that shouldn't be considered great.  So, I decided to give you my ranking of Pac's catalog of solo albums.  Unfortunately, that means the aforementioned Thug Life group album will not be on this list, but if you were wondering, it would've easily been last.  I mean, honestly, it's really only good for the Pac verses.  Also, for me, the Pac catalog ends with the Makaveli album.  With the exception of the Makaveli album, I don't consider the other posthumous albums as part of his catalog because he had no input in putting the albums together.  I understand he made the songs, but I can't be sure that he intended for those songs to see the light of day and I don't know that he would have approved of the changes in production or guest appearances that some of the albums featured.  So, here is my ranking of Pac solo albums.  I'm sure they will be some disagreement over the rankings, so feel free to let me know how you would rank them. 


The Don Killuminati: The 7 Day Theory (released November 5, 1996) 

Considered the Makaveli album, it was released almost two months after his death.  In my opinion, this is Pac's best work.  He had quality production and the lyrics to go with the production.  It's hard to believe that this album is almost 20 years old and over the years, I have learned to appreciate this album even more than when it was first released.  This album is so dope to me that three years ago, I decided to give my nieces and nephews a classic hip-hop album for Christmas and this was the first album I gave them.  This was his second album on Deathrow and while I think All Eyez On Me was dope, the album did seem somewhat rushed and it had a bunch of high profile guest appearances on it.  While this album still had guest appearances, most of them were from his Outlawz crew so Pac was able to shine more on this album.  

Tracks to check for: Hail Mary, To Live and Die in L.A., Blasphemy, Against All Odds 


Strictly 4 My N.I.G.G.A.Z. (released February 16, 1993) 

I know this is going to be the ranking almost everyone disagrees with and I understand, but for some reason, this is my favorite Pac album.  I only put the Makaveli album at the top because I can't deny that the production and lyrics are at a high level.  However, this album just resonates with me.  I think it's the timing of the album and where I was at as a person.  I was 16, had probably read the Autobiography of Malcolm X within the past couple of years.  I was feeling like black was the thing to be.  The Rodney King verdict and subsequent L.A. riots were probably still fresh in my mind.  And this album just seemed like an angry and frustrated young, black male trying to make sense of the world he was living in.  This album didn't seem to have any cohesiveness, but there was an interlude called "Something 2 Die 4" where he mentioned 15 year old Latasha Harlins who was murdered by a Korean store owner (click here for Wikipedia article).  He also had this recurring lyric throughout the album that went, "one nigga, teach two niggas, teach three niggas, teach mo niggas".  That was kinda inspiring considering everything that was going on at the time.  I remember reading a review of the album in the Source magazine and their description of the album was that it was chaotic and I think that's the best description for this album. 

Tracks to check for: Holla If Ya Hear Me, Keep Ya Head Up, Papa'z Song, I Get Around 


All Eyez On Me (released February 13, 1996) 

Pac's first release on Deathrow and his double album.  Pac dropped this double album when it was unheard of to drop a double album especially as a solo artist.  A lot of people love this album and I do think that it's a dope album.  It could have probably been consolidated into one album with 14 tracks and been an undeniable classic, but I feel that way about any solo artist that has dropped a double album.  I do give Pac credit for putting together a dope album in a short time period.  He was released on bail in October of 1995 and this album was released in February of 1996, so he put this album together in 3-4 months.  This was the first album where Pac had high quality production.  He had the Deathrow sound behind him which featured Dr. Dre and Daz on the production.  The album also had a few high profile guest appearances from Snoop, Redman, Method Man, and Tha Dogg Pound.  Actually, I just looked at the track listing for this album and there aren't that many high profile guest appearances on there as I had originally thought.  That makes it a little bit more impressive.  I still can't put it ahead of the other two albums on this list, but I can understand if some of you would put this in the number two slot instead of the undeniable, certified classic, Strictly 4 My N.I.G.G.A.Z. 

Tracks to check for: Ambitionz Az a Ridah, No More Pain, I Ain't Mad at Cha, Wonda Why They Call U Bitch 

2Pacalypse Now (released November 12, 1991) 

This is Pac's first solo album.  The one that made me declare him my favorite rapper.  I borrowed the tape from someone and made myself a copy.  I wasn't really up on Pac at the time, but when I heard the album, I had to get my own copy.  This was an album for young black males.  It gave a voice to the frustrations that we had with how we were being treated.  I'm not trying to get all political or anything, but early Pac was an inspiration to me.  It's because of him that I learned about people like Assata Shakur, Geronimo Pratt and Mumia Abu-Jamal.  I think mainstream fans got put on to Pac with the Me Against The World and All Eyez On Me albums and I won't say that he was watered down on those albums, but if you listen to his first two albums you get a rawer version of Pac.  Sure, the production wasn't that great, but if you listen to what he was saying, you couldn't help but be inspired.   

Tracks to check for: If My Homie Calls, Trapped, Brenda's Got a Baby, Violent 


Me Against the World (March 14, 1995) 

Don't get me wrong.  I like this album.  I think it's a dope album.  I think every album on this list is at least 3.5 mics and I consider a 3.5 mic album to be solid. However, I have bittersweet feelings about this album.  Because this album was released when he was in prison, I believe that Pac had input on the album, but a part of me feels like the label may have had a heavy influence on what the final product was.  This album seemed to be more soul-baring and reflective than the first two.  It wasn't as rebellious as the first two and maybe that's why the album doesn't rank higher for me.  At the time it was released, I do feel that it was probably his best album production-wise and it was in heavy rotation when I first got it.  Honestly, where I've grown to appreciate the Makaveli album over the years, I've probably come to under appreciate this album.  With that being said, even if I go back and listen to this album, it will probably always be in the last spot because of Temptations.  I hate that song and when I say hate, I mean that it goes on the Hate List.  The Hate List that has Duke, Ray-J and Lupe Fiasco on it.  I hate the production.  I think my ears bleed a little bit anytime I hear the opening, "Yo Mo Bee man, drop that shit" and than the beat drops.  I have no idea if the song is dope lyrically.  I probably haven't listened to that song in its entirety in 20 years.  If Pac comes back from the dead and says, "My bad, here's a version without Temptations", I'll move this album up to the one spot. 

Tracks to check for: Dear Mama, So Many Tears, Heavy in the Game, Outlaw

Allow Me To Re-introduce Myself

Welcome back.  I started this blog in January of 2014 as a requirement for a social media class I was taking.  My intent was to continue the blog after the class was completed, but life and laziness made me slack off and the last blog post I had was probably in April or May of 2014.  I've decided to bring it back and I could say it's only because I want to share my thoughts and feelings about hip-hop with the world, but that's not entirely true. Part of my reasons for bringing the blog back are for selfish reasons.  I enjoy hip-hop and I enjoy talking about it.  The blog provides a release for me.  I know that everyone won't agree with me and that's cool.  This blog is just my thoughts and feelings.  If you can relate, that's cool.  If you can't relate, that's cool too.  I welcome any feedback whether positive or negative.  Also, while my focus will be on hip-hop, I have other interests too and I've decided to, incorporate them into this blog.  I have opinions on a bunch of things, so every now and then, my blog may be something that isn't really hip-hop, such as my hatred for Duke University.  I don't plan to stray too far from hip-hop though because that is the basis for this blog.  I also want a light-hearted blog, so I won't really discuss too many serious issues.  While I do have my opinions on serious subjects, social media allows for those subjects to be discussed in depth.  I want to enjoy what I'm doing with this blog and discussing every serious issue that comes up takes away from my enjoyment.  With that said, I hope that my blog will provide some sort of entertainment to you and please feel free to contact me with any comments, criticisms, suggestions, etc.  One last thing, for those that don’t know, the title of the blog was inspired by Common’s song from 1994 titled I Used To Love H.E.R.  With H.E.R. standing for “Hip-hop in its Essence is Real”.  Peep the video.


Sunday, April 20, 2014

Happy Born Day Illmatic

Photo retrieved from http://www.amazon.com/Illmatic-Nas/dp/B0000029GA/ref=sr_1_1?ie=UTF8&qid=1398023750&sr=8-1&keywords=illmatic

"I woke up early on my born day, I'm 20, it's a blessing..."


20 years ago today, Nas released his debut album, Illmatic.  Among hip-hop fans, especially fans of New York hip-hop, the album was considered an instant classic.  The Source magazine gave Illmatic its coveted 5 mic rating (check out The Source’s review at this link http://bit.ly/1jjGjLe).  Today, Illmatic is in my top 10 favorite albums of all-time and depending on my mood, it sits at the top sometimes.  At the time though, I have to be honest, I didn’t understand the hype around the album.  Back in ’94, I didn’t have access to mixtapes and the Internet didn’t exist for me, so what I heard from Nas had been limited to his verse on MC Serch’s Back to the Grill and the first two singles from Illmatic, Halftime (which first appeared on the Zebrahead soundtrack) and It Ain’t Hard To Tell.  When I first heard the album, the beats seemed dark and dense and I wasn’t so quick to deem it an instant classic.  Life’s a Bitch was probably my favorite track from the album, but it took awhile for the rest of the album to grow on me.  I didn’t fully begin to appreciate Illmatic until my sophomore year of college in ’96.  I don’t know what changed, but I listened to it one day and it just clicked.  I finally realized why Illmatic received its high praise.  The album clocks in under 45 minutes and is only 10 tracks long, but 9 if you remove the intro.  It featured production from some of the best producers of all-time including Primo, Large Professor and Pete Rock.  The lyrics were top notch and have stood the test of time and the album was perfectly sequenced.  I’m getting older and all of my favorite albums are reaching these milestone anniversaries.  It actually makes me feel old as hell, but seeing albums like Illmatic get celebrated with re-releases and hip-hop sites giving in-depth stories about these albums lends credence to the fact that these albums are timeless classics.  There’s been plenty of websites covering the 20th anniversary of Illmatic, so I’ve included some links before for you to check.  So in closing, happy 20th birthday to Illmatic and thanks to Nas for blessing us with the album.


Tuesday, April 8, 2014

Soundtrack Bangers

Back in the day, movie soundtracks were as popular if not more popular than the movies they were created for.  In the 90s, some soundtracks such as Menace II Society and Above the Rim were considered hip-hop classics while others such as Who’s the Man? and Deep Cover introduced us to emcees whom would later become legendary.  These days, soundtracks aren’t as popular, but if you came up in the 90s, soundtrack releases were anticipating as much as any albums.  In honor of these soundtracks, I’ve decided to give you 26 bangers that appeared on soundtracks.  There’s no particular order and I’m sure I missed some so let me know.

1.     MC Eiht – Streiht Up Menace (Menace II Society)

2.     Nas – One On One (Street Fighter)
The Street Fighter soundtrack had 3 or 4 gems on it and this one from Nas was probably the best one.

3.     Outkast – Phobia (Higher Learning)

4.     2Pac – Pain (Above the Rim)
My favorite Pac song of all-time.  This song was only available on the cassette version.

5.     Method Man & Redman – How High (The Show)

6.     Ice Cube – How To Survive In South Central (Boyz N the Hood)

7.     Tha Dogg Pound – Big Pimpin’ (Above the Rim)
My boy Brian put me on the clean version of Above the Rim soundtrack and the clean version of this song was just as dope as the dirty version.

8.     Outkast – Benz Or Beamer (New Jersey Drive)


9.     Tha Dogg Pound – Just Doggin (Sunset Park)
This song was playing in the background from a scene in Above the Rim which came out before Sunset Park, but for some reason it wasn’t on the Above the Rim soundtrack.

10. A Tribe Called Quest – Hot Sex (Boomerang)

11. Common – High Expectations (Soul in the Hole)
Soul in the Hole seems to be a forgotten soundtrack.  It had a lot of dope tracks on it.

12. Naughty By Nature – Uptown Anthem (Juice)


13. Digital Underground – Same Song (Nothing But Trouble)
Introduced us to Pac

14.  The Notorious B.I.G. – Party & Bullshit (Who’s the Man?)

15. Eminem – Lose Yourself (8 Mile)

16. DJ Quik – Dollaz + Sense (Murder Was the Case)

17. Master P, Young Bleed & C-Loc – How Ya Do Dat (I’m Bout It)

18. Jay-Z – This Life Forever (Black Gangster)

19. Dr. Dre & Snoop Doggy Dogg – Deep Cover (Deep Cover)

20. Eric B. & Rakim – Juice (Know the Ledge) (Juice)

21. Warren G – Regulate (Above the Rim)

22. 2Pac – Definition of a Thug N**** (Poetic Justice)
I forgot about this track until a couple of years ago when I came across the Poetic Justice soundtrack for some reason.

23. Mobb Deep – Back At You (Sunset Park)

24. Mic Geronimo, DMX, Cormega, Ja Rule & Fatal – Usual Suspects (How to Be a Player)
A young DMX and Ja Rule.  Mic Geronimo before he messed up and got with Puff.  For some reason I really like this track.

25. Public Enemy – Fight the Power (Do the Right Thing)


26. Main Source – Fakin the Funk (White Men Can’t Jump)